Complex, short animation film that divides the screen into eight small windows. To the music of Vivaldi's The Four Seasons and with appropriate colours, seasonal stories are told in the small frames. Every now and then, the isolated events cross their borders and the scenes start interacting.

The Earth is warmed by the Sun, then cooled by the Moon. A Horse is rounding the corner.

A portrait of the director's family painted against a backdrop of changing seasons. A deep reflection on the meaning of existence and the inevitability of passing time and death.

Compilation film of four shorts about a year in the life of a young teddy bear.

The exquisite harmony of Vivaldi's masteerpiece with stunning video of nature's wonderous beauty.

A quartet of Saturday night plays following the life of indomitable working-class Cockney woman Rosie Carr from the Edwardian era to 1960.

An original story told by Uncle Igor, a son of Russian aristocrats, and his nine year old grandson Tonda. A powerful story of complicated times around 1968, a story full of contrasts: Whether it is the relation between what Grandpa's plentiful life entails and Tonda's imminent children's presence, or between poetry and fine humor and dramatic situations of military occupation. Or generally between everyday worries of a person and the pressure of great history. On grandpa's life story, mapping a big part of the 20th century traumas, one can see how much an individual's fate depends on the movement and changes of history. And how much one can defy it and maintain inner firmness and integrity. Or perhaps just dear life.

What was going on at Bennington College in the 1980s? Matthew Tyrnauer reveals the not-so-secret history of a small (enrollment: 700) liberal arts school that nurtured a shocking amount of genius. Bret Easton Ellis (American Psycho), Donna Tartt (The Goldfinch), and Jonathan Lethem (The Fortress of Solitude) were standouts amongst many young creatives, who found plenty of inspiration and material within the messy realities of this collegiate petri dish.

During a self-taped audition for a film about the apocalypse, 15-year-old Tyler realizes that the end might not be fiction after all.

A satirical comedy with elements of metaphysical horror about religion in rural 1960s Soviet Russia. Notable for using first-person pseudo-documentary "found footage" technique framing the movie as the creation of the protagonist, who is returns to his home village from the city to discover that a local drunk has formed a doomsday cult.